The framing device begins at the end of the nineteenth century, in Edinburgh, where Gordon Murray is about to be inducted into an ancient brotherhood whose secret rites involve a sacred relic: the iron lance of the title. The main narrative is set in eleventh century Orkney. When Pope Urban II calls for the retaking of Jerusalem from the infidel, the local lord, Ranulf, joins the Crusade with his elder sons, leaving behind young Murdo to oversee the family holdings. When the Church, through a nefarious scheme, confiscates the house and holdings, Murdo has no choice but to follow the Crusaders to the Holy Land and bring his father home to fix the whole mess.

Lawhead paints a vast and exotic canvas of medieval world politics, then peoples it with colorful characters--cunning Byzantine rulers, bluff Norman knights, gap-toothed, shaggy-brained Saxon peasants--who encounter visions and miracles, brutality and ambition, love and justice. At the end of the main narrative, Murdo gets what he wants but not in the ways expected. The framing narrative ends with hints that, as the world lurches towards a new millennium, Gordon Murray's Christian secret society is the world's only hope for survival, and the time nears for the brotherhood to reveal itself. --Luc Duplessis